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A prevalent theme explored in this novel is the intertwining connection between the Masons and the founding of America. While the popular belief suggests that America was founded on the principles of religious freedom, the novel presents a different perspective, suggesting that the founding fathers envisioned a nation that embraced scientific inquiry and open-mindedness. Evidence of the importance placed on science and Masonic rituals by the founding fathers can be observed in the architecture and artwork of Washington, D.C., the nation’s capital.
The story reveals that Washington, D.C. was conceived and designed by influential figures who were also Master Masons, namely George Washington, Ben Franklin, and Pierre L’Enfant. These brilliant minds adorned the capital city with Masonic symbolism, architecture, and artwork. The cornerstones of significant political buildings, such as the Capitol Building and the Washington Monument, were laid using Masonic rituals.
Aligned with the Masons’ belief in the interconnectedness of stars and fate, the setting of the capstones on various buildings in Washington occurred on precise dates and specific times. This deliberate timing, shared astrological conditions notwithstanding different years, underscores the significance attributed to these rituals.
The impact of the Masons is further exemplified by the recurring use of the number 33 as a symbol of distinction. For instance, the stone atop the Washington Monument is said to weigh 3,300 pounds, a weight deliberately chosen to incorporate this sacred number. Peter, a character in the novel, recognizes this significance, particularly as the stone sits atop the staircase leading to the burial place of the Ancient Mysteries.
Artwork displayed in the capital city also serves as a means to decode the messages of the pyramid and reflect the beliefs of the Masons. According to the novel, it is widely known that the Masons safeguard Ancient Secrets concerning the transformation of man into a divine being. This concept of transformation into a god is visually represented in the Capitol Building’s rotunda through the depiction of George Washington’s apotheosis. Another artwork, Melencolia I, includes a grid necessary for correctly arranging the letters on the side of the Masonic Pyramid and conveys the theme of humanity’s quest to comprehend the Ancient Secrets.
The novel explores the central theme of transformation, wherein both individuals and objects can undergo significant changes given the right circumstances. This notion drives Langdon’s urgent quest to decipher the Masonic Pyramid. Similarly, Mal’akh becomes fixated on the belief that a person can transform into a god. Although sharing similarities with the Masons’ goals, Mal’akh’s intentions diverge as he seeks to become a dark deity rather than following the path depicted in George Washington’s transformation on the ceiling of the Capitol Building’s Rotunda. Mal’akh seizes upon this belief but takes it in a different direction. Instead of transforming into a god, he endeavors to become a god through the practices of dark Arts. He subjects his body to abuse through steroids, growth hormones, self-castration, and adorning it with tattoos and ancient symbols. He believes the end result is a masterpiece, worthy of acceptance by the gods of underworld. Mal’aki is surprised when his sacrifice is not accepted in the way he believed it would be.
The novel explores the question of whether knowledge, in its essence, holds inherent moral value, or if its implications depend on how it is used. The Masons play a significant role in this discussion as they guard the Ancient Secrets, which are believed to possess the power to facilitate a transformation into a god. Their secrecy surrounding this knowledge raises doubts about their intentions and the potential consequences of its revelation. Katherine also grapples with this question as she contemplates the ethical implications of her research, recognizing that the knowledge she uncovers can be wielded for both good and evil purposes. On the other hand, Mal’akh offers a twisted perspective on the matter, believing that knowledge should be eradicated to prevent any resurgence of enlightenment. His destructive actions reflect his distorted view that knowledge itself is something to be eradicated rather than something that can be harnessed for positive change. The novel prompts readers to contemplate the moral implications of knowledge and the choices individuals make in how they acquire, protect, and utilize it.
Language and symbols possess the ability to undergo transformation, just like people and objects. Over time, the meanings of words and symbols can change, sometimes becoming archaic or acquiring multiple interpretations. The secrets concealed within the Masonic Pyramid are concealed beneath the usage of words and symbols, often with obscure and nuanced meanings.
What those who uncover the pyramid’s secrets have in common is the realization that the answer was always within reach. For instance, the phrase “all is revealed at thirty-three degrees” commonly associated with the Masons suggests that reaching the thirty-third degree of Masonic membership grants access to all the group’s secrets. However, it actually serves as a clue to unlock the pyramid’s mysteries. By inserting the Masonic ring into the circumpunct in the box containing the capstone, the box transforms into a flat cross intersected by a circumpunct—a map indicating the location of the Ancient Mysteries. Recognizing the resemblance of the Washington Monument to a circumpunct and the National Mall to a cross further reinforces this interpretation. Additionally, considering that “degree” can also refer to temperature measurement, Katherine deduces that heating the pyramid to thirty-three degrees on the Newton Scale would unveil further secrets.
The capstone’s words exemplify how misinterpretation can occur based on line breaks. Once Katherine and Langdon have the complete text on the capstone, it reads “The / secret lies / within The Order / Eight Franklin Square.” As the words “Eight Franklin Square” only appear when the pyramid is heated, they believe these three words signify a specific address. However, they later realize that “The Order” refers not to the Masonic establishment but to the arrangement of symbols carved into the bottom of the pyramid. “The Order Eight Franklin Square” is emphasized as a distinct phrase, and to correctly arrange the symbols, one must utilize the concept of the Order Eight Franklin Square.
Throughout the novel, Langdon is repeatedly challenged to overcome his skepticism and accept the reality of the Masonic Pyramid’s existence. As an intellectual, he struggles to believe in the notion of a hidden staircase concealed by a stone, leading to a treasure trove of concealed knowledge. Despite being presented with mounting evidence supporting the pyramid’s existence, Langdon clings to his doubts. It is only when Peter provides him with the precise location of the Ancient Secrets that Langdon’s skepticism begins to waver.
Similarly, Katherine experiences a profound shock when Mal’akh contacts her, suggesting that the Ancient Mysteries her brother believed in might actually be real. Just as Katherine grapples with the revelation that the legends she dismissed may have substance, Langdon undergoes a similar experience as he encounters tangible pieces of a story he had previously deemed nothing more than a myth.
INTRODUCTION CURIOSITY & SUSPENSE PLOT SUMMARY
CRITICAL OVERVIEW IMPORTANT CHARACTERS STRESSFUL MOMENTS & CLIFFHANGERS
DESCRIPTIONS OF OBJECTS, PLACES, ORGANIZATIONS & PROCESSES TV SERIES ADAPTATION